代写论文：电影
观看这部电影的观众了解电影制作的不同风格。好莱坞电影不使用充满活力的色彩，也不是所有的电影都是音乐剧。这部电影有独特的印度风格。这是对全世界人民的一种款待。他们能够理解这些电影的意义和娱乐价值。这部电影具有全球吸引力，它证明了无论文化和种族差异如何，一部好的娱乐电影都会受到世界各地人们的喜爱。更多这样的跨国电影将会发生，因为像这部电影这样的成功投资。像这样的电影体现了不同的文化，帮助人们变得更加宽容。瓦格纳(2011)对《新娘与偏见》这样的电影实际上有两个营销机会进行了批判性的分析。一种是，他们出售的是一个时间版本的变体，第二个是他们展示了文化的融合。在这篇论文讨论跨国影视作品中种族划分的理论基础上，可以说《新娘与偏见》和《功夫》等电影实际上是相当激进的。他们没有遵循保守的方法，可以说电影和发行的制作确实有一定的风险。然而，这些电影的成功吸引了许多未来的机会，为跨国电影制作的增长和电影中的民族表现元素提供了机会。
代写论文：电影
The viewer who views this movie understands the different styles of movie making. Hollywood movies do not use vibrant colors and not all movies are musicals. This movie had a distinctive Indian style of presenting. This was a treat to the people around the world. They were able to understand the significance and the entertainment values of such movies. This movie had a global appeal and it proves that a good entertaining movie is appreciated by people around the world irrespective of the difference in culture and ethnicity. More such transnational movies will happen because of the successful ventures like this movie. Movies like this embody the different cultures and help the people in becoming more tolerant. Wagner, (2011) critically analyzes how movies like ‘Bride and Prejudice’ actually have two marketing opportunities. One is that they sell a variant of a time version, and the second is that they present an amalgamation of culture. In the context of this research essay’s discussions on the theorizing of ethnicity in transnational screen productions, it can be said that movies such as ‘Bride and Prejudice’ and the ‘Kung Fu Hustle’ are actually quite radical. They have not followed a conservative approach and it can be said that the making of the movie and distributions did garner a certain amount of risk. However the success that these movies seemed to attract presents much futuristic opportunities for the growth of the transnational screen production and the elements of ethnic representations in such movies.
