代写论文：无声电影到有声电影的转换
这部电影是非常成功的,“photo-dramatic生产”,是基于参孙Raphaelson写的短篇故事,故事的名字是“赎罪日”,1921年改编由阿尔弗雷德·a·Coln筛查。华纳在1926年做了一个百万美元的投资风险在Vitaphone与西方电动车音响系统。350万美元票房的利润带来的具有里程碑意义的电影。这部电影获得了巨大的成功和负责好莱坞热门电影工厂通过将华纳。胶片的商业化成为可能是因为电影的大成功。无声电影到有声电影的完整转换变成现实在业内被商业化了的胶片。这部电影是众所周知的第一长好莱坞电影或有声电影的电影,但不是第一Vitaphone特性即它没有声音在磁盘功能(运载,1922)。这是一个电影的口语对话被用于戏剧性的行动。这部电影只是携带二十五百分比与适当的同步有声电影的声音,声乐数字和伴奏。完整的第一部长篇电影长度和完整的对话是华纳的实验记录。只有几个场景比其他歌曲在电影同步口语对话。杂曲的旋律在音乐商店的组成的混合物组成的不同来源从柴可夫斯基,希伯来语音乐从传统领域和歌谣。电影的音乐是伴随着行动的音效和标题和字幕卡在整个电影。电影中的每个字符都有自己的个人音乐主题。
代写论文：无声电影到有声电影的转换
This movie was outstandingly successful and had a ‘photo-dramatic production’ and was based on the short story written by Samson Raphaelson and the name of the story was “The Day of Atonement” in 1921 and was adapted by Alfred A. Coln for screening. Warner in 1926 made an investment of half million dollars that was quite risky in the Vitaphone sound system with Western Electrics. The profits of $3.5 million at the box office were brought by the movie as a landmark. The movie was a great success and was responsible for Hollywood a hottest film factory by transforming Warners. The commercialization of sound-on-film was made possible due to the grand success of the movie. The complete transformation of silent films to talkies into reality in the industry was laid by the commercialization of sound-on-film. This movie is well known as the first feature length Hollywood movie or ‘talkie’ film but was not the first Vitaphone feature i.e. it did not had sound on disk feature (Carringer, 1922). It was a film in which the spoken dialogues were used for dramatic action. This movie was just twenty –five percent talkie with proper synchronization of the sound, vocal music numbers and accompaniment. The complete and first feature –length movie with full dialogues was Warners’ experimental entry. There were only few scenes else than songs in the movie which had synchronously spoken dialogues. A potpourri of melodies were used in the composition of the musical store which had a mixture composed of varied sources like from Tchaikovsky, Hebrew music from traditional fronts and ballads. The music of the movie was given the sound effects that were accompanied by action and title & sub-title cards in the whole film. Each character in the film had its own individual musical theme.
