有一种说法是，伟大的肖像是伟大的姿态的结果。当身体向右转时，只有右手是可见的，手势是右手在口袋里。这个表达是对某件事的一种敏锐的思考，因此，眼睛就会停留在这种想法上。在桌子上放了一副眼镜之后，我们还可以确定人们通常会摘下眼镜来深入思考，这也是一个很好的例子。房间里满是照片，看起来就像是摆姿势的人正式工作。它展示了一种微妙的手势和一种自发运动的模糊。这个表达和手势一起为摄影的质量输出提供了更好的方法。这也让我们关注于人类的消费。一般来说，街头摄影对于捕捉主体的情感更为重要，因为这种情感吸引了读者的目光，同时也围绕着相关的情感环境。一张好的街道照片应该是模糊的或尖锐的。主题鲜明，背景模糊(褪色和模糊7 – 9)。面部特征和衣服是人们在看到照片时首先注意到的两件事。当它们以审美的方式呈现时，就会引起观众的兴趣。它直接表达了照片被拍摄时拍摄对象的感觉。
There is a saying that great portraits are the results of great gestures. With the body turned towards the right, only the right hand is visible and the gesture is that the right hand is inside the pocket. The expression is a keen thinking on something particular, and thus, the eyes are stuck to this thinking. With the spectacles kept on the table, it is also feasible to identify that people usually remove spectacles to get into deep thinking and this is a good example for the same. The room is full of pictures and it looks like the person who is posing is into official work. It shows a subtle gesture of hand and a blur of this spontaneous movement. This expression along with gesture paves better way for quality outputs in photography. This also gives a focus on what it consumes to be a human. In general, street photography gives a stronger importance to capture the emotion of the subject as this emotion pulls the eyes of the reader and also surrounds the environment with relevant emotion. A good street photograph is supposed to be either blurry or sharp. The subject is sharp and the background is blurry (Faded & Blurred 7-9). Facial features and clothing are two things that people note first upon seeing a photograph. When these are presented in aesthetic manner, it arouses the interest of the viewer. It directly conveys the feeling that the subject of the photograph is into when the picture is captured.