研究人员认为，在好莱坞制作的电影院/电影主要是心理电影。这些电影的情节倾向于主要集中在具有适当标定的心理人格的中心人物。他们的愿望鼓励这一行动，从而在电影中引发了一些活动及其后果。根据Bordwell的说法，这种性格是“以人物为中心的因果关系”（Canby，1988）。在大多数电影情节中，主要或中心角色正在寻找一些重要的东西，在克服一些障碍之后他或她会得到重要的东西。不管中心人物在寻找什么东西，他或她在有限的时间内都不得不获取该东西。时间限制或截止日期实际上增强了好莱坞电影的戏剧性力量。两部不同的行为通常融合在好莱坞的电影中，其中一部分涉及公共世界（政治，艺术或可能成功工作等），另一部分涉及异性恋夫妻之间的爱情。据博德威尔说，这是好莱坞电影的“异性恋命令”。总的来说，两种行为方式都是以一种复杂的方式交织在一起的，比如在男人愿意成功地与他的老板的女儿相爱时。 相反，好莱坞电影可能没有观众所认为的快乐结局。另一方面，电影的情节总是有一个适当的结论，所有的松散结局都被妥善捆绑了起来。情节提出的所有问题都将得到回答，情节所创造的神秘感将得到解决。在好莱坞制作的大部分电影中，鉴于主要主角的毫无疑问被划定的角色（Bordwell，2008），结局似乎或多或少是不可避免的，这是等待的完美结局。 论文代写：好莱坞电影 It has been considered by the researchers that cinemas/movies prepared in Hollywood are primarily psychological cinema. The plots of the films are inclined to focus mainly on the central character with proper well demarcated psychological personality. Their wishes encourage the action, thus setting off a number of activities and their after effects in the film. According to Bordwell, this personality is “character-centred causality” (Canby, 1988). In majority of the movie plots, the main or the central character is looking for something important that he or she will get after overcoming a number of obstructions. Whatever may be the thing that the central character is looking for, he or she will have limited time within which the thing has to be acquired. This limitation of time or deadline actually boosts the dramatic power of the Hollywood films. Two different lines of acts usually blend together in the Hollywood’s movies, of which one involves the communal world (politics, or arts or may be success in job, etc.) and the other one involves love among couple who are heterosexual. According to Bordwell, it is the “heterosexual imperative” of the films of Hollywood. In general, both the lines of acts are intertwined in a sophisticated manner, as in situation when man willing to succeed in business engages in love with the daughter of his boss. In contradiction, the Hollywood films might not have happy endings as thought by the viewers. On the other hand, the plot of the film always has a proper conclusion with all the loose ends properly tied up. The entire questions that were raised by the plot will be answered and the mystery created by the plot will be solved. In most of the films made by Hollywood, the endings might appear more or less inevitable, a perfect outcome of what has been waited for, given the undoubtedly well demarcated persona of the main protagonists (Bordwell, 2008).