论文代写：声学—沈默
沉默可以作为声学效果的一部分相关，但只有在听声音时才有可能。所呈现的沉默是声音电影的最确定的戏剧性影响之一。没有其他的艺术形式专注于沉默的再现。在雕塑，绘画，无声电影或文学的艺术形式中，这是不可能的。舞台上也有少有的沉默，在短时间内有戏剧性的效果。无线电播放不能使用深度的沉默，因为它会导致由于没有声音而停止整个表演（Livingston＆Plantinga，2009）。没有行动就不能保持沉默。得到的结果是从沉默中没有任何作用的停止的声音。有各种不同的声音和声音，但沉默被用作一种物质。但是，需要强烈的听觉来聆听沉默。可见元素差异化的声音结果使它们彼此接近并确保较小的不相似性。所有的绘画都提供了一个与隐藏的互相交流的语言（Murch，2001）相互愉快和谐的表达。必须承认形状，同时建立一种牢固的关系。这些组合物在所有元素中都很常见。这在无声电影的设置中起着主要的作用。静音所有的声音可以在风景和背景音乐的声音中充当沉默。观众可以在屏幕上看到相互对立的音乐风景。这有助于在一般的沉默语言中发言，同时在普通的音乐背景中感受到不合理的交流（Shaw，2008）。尽管如此，无声电影中只能从迂回的来源中再现沉默。在戏剧舞台的舞台上，对话正在停止，而没有触及沉默表达的情绪。这是因为在舞台上提供的空间是非常小的，沉默基本上是一个空间体验。
论文代写：声学—沈默
Silence can be related as a part of acoustic effect, but that is only possible on listening to sounds. The silence presented is among the most certain dramatic impact of sound film. There is no other art form focusing on the reproduction of silence. This is not possible in the art forms of sculpture, painting, silent film or literature. There is also a rare appearance of silence on stage with dramatic effects for a short period of time. Radio plays cannot use silence in depth, as it will result in ceasing the entire performance due to no sounds (Livingston & Plantinga, 2009). There cannot be continuation of silence in the lack of action. The outcome obtained is from the cessation sound without any role played by silence. There are various different voices and sounds, but silence is used as a substance. However, one requires strong sense of hearing to listen to silence. Sound results in the differentiation of visible element are bringing them close to one another and ensuring less dissimilarity. All paintings provide an expression of happy harmony with hidden mutual language of mute elements to converse with one another (Murch, 2001). There has to be recognition of shapes, while making an entry into a strong relationship. These compositions are common in all elements. This acts as a major benefit to be used in the setting of silent film. Muting all sound can act as silence in the voice of landscapes and background music. There are objects and characters as the audience can see on the screen against mutual musical landscape. This helps in speaking upon silent language commonly, while feeling the irrational communication in the common musical background (Shaw, 2008). Nevertheless, there can be reproduction of silence in the silent films only from roundabout sources. In the setting of theatrical stage, dialogues are under cessation without touching up emotions expressed by silence. This is because the space provided in the stage is extremely small, and silence is essentially experienced as a space.
