论文代写：时尚
街头时尚在更广泛的时尚背景下被定义为源于一种不那么流行的与青年相关的文化（McColl＆Moore，2014）。它来源于主要城市中心，作为城市运动更受欢迎（Ritch，2015）。这些街头风格吸引了当地的每个人，并让他人了解当地服饰等等。然而，这也属于混合时尚的范畴（Everett，2008）。法国社会学家让·鲍德里亚曾经对时尚做过古典解释。他认为只有在现代性的框架内，时尚才有可能存在。在打破进步和创新的过程中，找到了时尚。
论文代写：时尚
在任何文化背景下，新旧总是有意义的交替。然而，对于人们来说，自启蒙运动和工业革命以来，关于结构的历史辩论只是危机中的变化。现代性似乎建立了对时尚的线性和周期性的理解，但街头时尚是关于变化发生的同时，也包含这些变化中较小的趋势（Celjak，2012）。当主流时尚是技术进步，生产和历史时代的产物时，后一种街头时尚更多地是关于一些变化的开始。尽管它不是一种广泛流行的语言，但它被视为日常生活中存在的最高价值。要理解街头时尚，有几个错误的时尚概念需要澄清（Baptiste，2012）。
论文代写：时尚
Street fashion is defined in the broader context of fashion as having been derived from a not so popular culture as associated with the youth (McColl & Moore, 2014). It is derived from major urban centres and is more popular as an urban movement (Ritch, 2015). These are street styles that appeal to everybody local and give others a sense of the local attire and more. However, this also falls within the norms of blended fashion (Everett, 2008). French sociologist Jean Baudrillard used to make a classical interpretation about fashion. He thought that only within the framework of modernity, it was possible for fashion to exist. In the breaking of progress and innovation, fashion is found.
论文代写：时尚
In the context of any culture, the old and the new always are meaningfully alternate. However, for people, since the enlightenment and the industrial revolution, there is only a history debate on structure which is of the change in a crisis. Modernity seems to set up a linear and a cyclical understanding of fashion, but street fashion is about changes happening at the same time and also encompassing lesser trends in those changes (Celjak, 2012). Where mainstream fashion is a product of technological progress, the production and the time of history, the latter street fashion are more about the inception of some changes. The inception is observed as a supreme value that exists in the daily life, although it is not a widely popular language. To understand street fashion, there are several mistaken notions of fashion that need to be clarified (Baptiste, 2012).
