There are a number of approaches for studying rhythm that have been developed since the past few year and these are continuously being altered and reinvented with the passage of time. A combinations of syllables related to rhythm has been considered as a hallmark of these types of systems more frequently. At the most easy level, the system might be relying completely on the individual neutral syllable. This type of system, however, does not contribute in ascribing the meaning towards the syllable but merely utilizes it in order to intone the materials of rhythm. With respect to the consequences, the activities of analytics with respect to duration, value of beat, and meter are not said to be conveyed within the vocalization in an explicit manner. Several other systems are known to be utilizing syllable for the provision of labels with respect to temporal phenomena, within an analogous of manner towards the utilization of solfege syllables for labelling the phenomena of pitch and quick identification of recurrent designs and these contribute in providing a translator that is a link amongst the domain of visual basics as well as the aura (Lester, 2009). In the typical context, the systems of rhythm fall within two types, those that lay emphasis to count in the measure and the ones that lay emphasis on the beat or patterns.