论文代写：音乐学
西方文化的音乐学的倾向假定米作为一个先决条件的存在对音乐的节奏不能被视为是一个惊喜的观点,西方的音乐文化是完全基于被metresthat等于在各种不同流派的音乐等音乐艺术,爵士,流行,摇滚和几个流派的音乐(史密斯,2005)。某些形式对无计量这些西方文化中存在被贴上节奏被免费的。此外,考虑一个视图之前,他们的维度对节奏是很少被考虑。从普遍的角度来看,然而,这样的自由节奏或无计量是一个现象,是非常重要和广泛的对一直注意不足地通过人种(斯坦,2008)。以相对的方式,自由节奏的角色扮演是在西方文化的音乐不重要,随着明显缺乏对理论被本土文化中的节奏自由,那里是一个重要的程度的突起,这有助于更被忽视了。
论文代写：音乐学
The musicology of western culture has the tendency of assuming the existence of metre being a precondition with respect to the rhythm of music that cannot be considered as being a surprise with the point of view that the music of western culture is completely based on being metresthat is equal amongst all kinds of different genres of music such as music of art, jazz, pop, rock and several genres of music as well (Smith, 2005). Some forms with respect to be unmetered those are present within the western culture being labelled as a rhythm being free. In addition to this, considering a view ahead, their dimension with respect to rhythm is barely being considered. From the universal perspective, however, such free rhythm or unmetered is a phenomenon that is extremely important and widespread towards which attention has been paid in an insufficient manner through the ethnomusicologists (Stein, 2008). In the relative manner, the role of free rhythm being played is unimportant within the music of western culture, along with the apparent absence with respect to the theories being indigenous on the rhythm being free within the cultures where there is a significant degree of prominency that contributes towards being neglected.
