论文代写：宗教艺术
佛兰德学派和荷兰学派的兴起导致了17世纪意大利风景画的发展。景观被认为是自主体裁以及饰物，并引起了观众的同理心。山水画涉及人物形象。慢慢地，其他形式的景观绘画也出现了精神，宗教，教育和文化的目的。在意大利，山水画主要是用来体验意大利的灯光，也给意大利的经验。这发生在文艺复兴时期。本文详细介绍了艺术家主要用于构思和传达思想文化的山水画形式。在适当的时候，山水画以新的形式演变，其市场几百年来没有补贴。遥远的和野生的景观多年来持续增长，但古典园林艺术的范围减少了。其他社会和环境因素的影响给景观艺术带来了新的印象。在后印象派时期，抽象的形式发生了一些变化，略微取代或超越了景观艺术所占有的地位。该文件还详细介绍了这种转变以及在现实中实施的其他表现形式。尽管景观艺术从来没有失败或者没有减少，但是意大利的突出地位却减少了但仍然存在。国家仍然继续把它作为传播和传播文化的有效武器。本文将详细介绍意大利山水画在世界各地的盛行情况。
论文代写：宗教艺术
The rise of Flemish and Dutch schools led to the development of landscape paintings in the 17th century in Italy. Landscape was considered as autonomous genre as well as ornaments and it evoked empathy from the viewers. Landscape painting involved human figures. Slowly, other forms of paintings in landscape were evolved for spiritual, religious, educational and cultural purposes. In Italy, landscape paintings were mainly used to experience that Italian light and also give the Italian experiences. This happened in renaissance period. This paper details the forms of landscape paintings that were predominantly used by the artists to compose and deliver the thoughts and cultures. In due course of time, landscape painting evolved in new forms and its market did not subsidize for centuries now. Remote and wild landscapes continued to grow in the years but the scope for classical landscape art reduced. The influence of other social and environmental factors gave new impressions to the landscape art. In the post impressionism period, abstract forms evolved that slightly replaced or overtook the position occupied by landscape art. The paper also details on this shift and the other forms of representation that were implemented in the reality. Although landscape art never failed or did not diminish, the prominence reduced but still exist in Italy. The country still continues to use it as an effective weapon to convey and spread the culture. This paper will detail on this prevalence of landscape painting in Italy that spread across the world.
